Hollywood's IndiesEdinburgh University Press, 2013年8月12日 - 240 頁 Hollywood's Indies offers an in depth examination of the phenomenon of the classics divisions by tracing its history since the establishment of the first specialty label in 1980. |
內容
| 1 | |
| 21 | |
| 23 | |
Chapter 2 Triumph Films 1982 to 1985 Universal Classics 1982 to 1984 and Twentieth Century Fox International Classics 1982 to1985 | 44 |
Chapter 3 Orion Classics 1983 to 1997 | 65 |
Section II Indie | 85 |
Chapter 4 Fine Line Features 1990 to 2005 | 87 |
Chapter 5 Sony Pictures Classics 1992 to date | 109 |
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常見字詞
$10 million Academy Award accessed acquisitions American independent cinema American independent film arguably arthouse films attracted audience became box-office gross budget cent classics arm classics divisions commercial success company’s critical crossover Daily Variety deal despite Deutchman distribution divi division’s early Entertainment especially established film divisions Film Festival film production film sector film’s finance Fine Line Features Focus Features Fox Searchlight Furthermore genre Hollywood Reporter Ibid independent film independent filmmaking indie film indiewood titles Line Cinema Line Features Line’s low-budget major studios marketplace Miramax niche non-US number of films Orion Classics Paramount Classics Paramount Vantage parent company Picturehouse potential release Schamus senior executive Sony Pictures Classics SPC’s specialised specialty distributors specialty division specialty film market specialty labels stand-alone stars studio divisions subsidiary substantial Sundance Triumph Films Twentieth Century Fox Tzioumakis UA Classics United Artists Classics Universal Classics Universal’s Warner Bros Warner Independent Weekly Variety