Glyndebourne

Ahead of the Telegraph's exclusive live stream, the actress-director tells Rupert Christiansen why a dark Britten opera has lured her back to Glyndebourne

This knockout production of Handel's oratorio set Rupert Christiansen gasping

Joining the festival's chorus is a unique experience – and often the first step to stardom, says Rupert Christiansen

Soprano Danielle de Niese will perform at the Last Night of the Proms and fans might notice something a little different about her singing

Glyndebourne is showing key productions for free, in partnership with the Telegraph

Rupert Christiansen applauds Fiona Shaw's nuanced, magnificently performed staging of this difficult Britten opera

Last chance to see: Ravel's L'Heure Espagnole and L'Enfant et les sortilèges

CGI blockbusters and brain-numbing video games are damaging our children's imaginations. Rupert Christiansen asks whether opera can help

Listen to Katie Derham speak about this rarely performed work

Rupert Christiansen found himself in the unusual position of wishing Mozart's work would get a move on

Opera Holland Park might well have come up with the future of opera, says Rupert Christiansen

Artist Georg Baselitz tells Mark Hudson why he prefers Glyndebourne to his country’s annual Wagner celebration, Bayreuth

The Proms' new director could put an end to Doctor Who-themed concerts, says Rupert Christiansen

In a production featuring more mantillas than you can shake a banderilla at, the casting here is superb, says John Allison

Ahead of our stream of Glyndebourne's Carmen, Jane Shilling salutes the opera's heroine

Ahead of our stream of Glyndebourne's Carmen on May 24 we run down the greatest ever interpreters of the role

The singing redeemed this production of Donizetti's rarely heard opera, says Rupert Christiansen

Last chance to see: Carmen from Glyndebourne