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Latest in Specialty Box Office
‘C’mon C’mon’ Shines In Limited Release; NYC Covid Doc ‘The First Wave’ Leads Grassroots Campaign For First Responders – Specialty Box Office
C'mon C'mon from A24 turned in the best per-screen average for a limited platform release since Covid at five theater in New York and LA as stellar critical response was met by strong exit polls ahead of a wider rollout into top markets over Thanksgiving and continued expansion thereafter.
The Mike Mills' awards…
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‘Last Night In Soho’ “Achieved What We Wanted,” Says Focus Features: Pros & Cons Of Wide Releasing Arthouse Films – Specialty Box Office
Edgar Wright's Last Night In Soho is an arthouse film that opened on 3,000 screens — a gamble in a theatrical market where multiplex-goers have been mostly turning out for big-budget, high-octane studio franchises. (Dune, Halloween Kills and No Time To Die took top spots this weekend, a soft one overall where…
Streamer Mubi Launching Curated Movie-A-Week Cinema Pass, Mubi Go, For U.S. Members Starting In NYC This Month
EXCLUSIVE: Arthouse streamer and distributor Mubi is launching a U.S. in-theater offering this month letting members see one film a week that it selects at participating cinemas starting in New York City. It said Mubi Go will roll out nationwide in selected markets with LA next in early 2022.
Mubi Go (available in the…
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You Can’t Silence This ‘Lamb’; Holdovers, Including ‘The Rescue,’ Drive Arthouse – Specialty Box Office
A24's Lamb hit the top ten for the second week running (No. 8) at the North American box office, surging past $2 million. The Rescue expanded to 552 theaters, the widest documentary screen count since Roadrunner: A Film About Anthony Bourdain, said distributor Greenwich Entertainment, anticipating it will ultimately…
Is Arthouse Baaack? ‘Lamb’, ‘The Rescue’ Surge; Bond Nudges Older Auds Into Theaters – Specialty Box Office
NatGeo's The Rescue by Chai Vasarhelyi and Jimmy Chin (Free Solo) stormed the specialty box off in five runs in NYC, LA and Chicago this weekend with a nearly $14,000 per screen average — the best opening PSA for a documentary playing in more than one market in over two years. (Estimated three-day cume was $69,662…
‘The Jesus Music’ Illuminates Specialty Box Office, Rakes In $2K+ Per Screen; Palme d’Or Winner ‘Titane’ Cracks $500K
This week the specialty box office saw an incredible performance by yet another faith-based movie. This marks the third time this year – the other two: Witnesses and The Girl Who Believes In Miracles – the limited release space was topped by a religious-themed film.
The Jesus Music (Lionsgate) is a documentary that…
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By Brandon Choe
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‘I’m Your Man’ Surpasses $2K Per Screen In Strong Open; ‘El Planeta’ Rocks The IFC – Specialty Box Office
Bleecker Street's sci-fi romantic comedy I'm Your Man blasted off – relatively speaking in today's specialty market – with a per screen average of $2,139 in 16 theaters in North America (12 U.S., four in Canada).
Directed by Maria Schrader film with Maren Eggert and Dan Stevens, it was the rare specialty film of late…
‘Eyes Of Tammy Faye’, ‘Blue Bayou’ Show Arthouse Resurgence Remains Elusive – Specialty Box Office
The Eyes Of Tammy Faye from Searchlight Pictures finished in the top ten domestically (at no. 9) with the highest per screen average of the group after Shang-Chi and Free Guy. Its estimated PTA, $1,500 in 425 theaters, bested newcomers Blue Bayou and wide releases Cry Macho and Copshop on a per screen basis. That’s…
An Arthouse Turning Point? Festival Buzz Builds Heat For Fall Releases – Specialty Preview
A glum arthouse market may be entering a gateway weekend into happier days after months of distributors — with rare exceptions — pulling out their hair at dismal per-screens averages. That’s because festival buzz is mounting for film after film – from Card Counter, Dune and Spencer (debuted in Venice, opening…
Audience Finds ‘The Lost Leonardo’ – Specialty Weekend
Sony Pictures Classics' The Lost Leonardo had a notable debut on three screens on a quiet weekend for specialty openings.
The film about da Vinci's Salvator Mundi painting opened to $13,209 with a per screen average of $4,403 ahead of a national release. The distributor has been a steadying presence a tough arthouse cl…
Sony Pictures Classics’ ‘Nine Days’, Neon’s ‘Ailey’ Succeed In Small Runs – Specialty Box Office
Sony Picture Classics and Neon fared well in their small releases this week with Nine Days and Ailey respectively, running across 6 total locations in New York, Los Angeles and Irvine – both notching heavy per screen averages with the former leading to its wider release next week.
Nine Days hit NYC (Angelika, AMC…
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By Brandon Choe
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‘Roadrunner’ Tops Specialty Box Office In Week 2; Newcomer ‘Joe Bell’ At $700K, ‘Pig’ Solid
Roadrunner: A Film About Anthony Bourdain kept its spot in the North American top ten for week two in 954 theaters – up by 27 — with an $830,000 estimated gross for the three days, leading the specialty box office.
As per Focus Features, that was a total cume of over $3.7 million for the Morgan Neville documentary…
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