Dead Man Walking


2h 1995
Dead Man Walking

Brief Synopsis

A nun offers spiritual counsel to a death-row in-mate.

Film Details

Also Known As
dernière marche
MPAA Rating
Genre
Drama
Adaptation
Religion
Release Date
1995
Distribution Company
Gramercy Pictures
Location
New York City, New York, USA; New Orleans, Louisiana, USA

Technical Specs

Duration
2h

Synopsis

Honoring the request of a lonely and desperate man, Sister Helen Prejean writes to Matthew Poncelet, the condemned killer of two teenage lovers, and is wholly unprepared for the relationship which will follow. When the date is set for Matthew's execution, he asks Sister Helen to be his spiritual advisor and she complies. As she comes to see the terrified human beneath Matt's brash, unrepentant facade, Sister Helen becomes increasingly disturbed, not only by the terrible anguish he suffers during the long countdown, but by the rage of the victims' families, who seek retribution for their unbearable loss. With his scheduled execution fast approaching, she struggles for the life, the dignity, and the soul of a confused and angry man. In the end, it is her faith and her fierce courage that sustains her when she stands with Matthew and with the victims' families.

Crew

Danielle Acarino

Other

Greg Addison

Electrician

Douglas Aibel

Casting

Christie Alexander

Art Department Coordinator

Farrukh Fateh Ali Kahn

Song Performer

Rahat Ali Kahn

Song Performer

Lawrence Amanuel

On-Set Dresser

Barry Jean Ancelet

Special Thanks To

Amina Annabi

Song Performer

Peter Aquino

Driver

Sallie Jones Arata

Assistant Production Coordinator

Lee Arenberg

Other

Tony Arnaud

Grip

Scott August

Set Production Assistant

Lucian Baran

Other

Markus Barben

Craft Service

Elven Barrow

Driver

Jason Barry

Special Thanks To

John Beal

Music

Ned Bellamy

Other

Debbie Berins

Office Assistant

Martin Bernstein

Construction Coordinator

Jordan Beswick

Casting Associate

Tim Bevan

Executive Producer

Michael Bigger

Makeup

Jack Blanchard

On-Set Dresser

Susie Blanchard

Medic

Brigid Boden

Special Thanks To

Harry Peck Bolles

Dialogue Editor

Bill Borges

Driver

Sharon Boyle

Special Thanks To

Brian Brophy

Other

Clancy Brown

Special Thanks To

Robin Brown

Camera Operator

Edward Brumfield

Driver

Molly Bryant

Other

Eva Z. Cabrera

Script Supervisor

Burl Cain

Special Thanks To

Sal Camacho

Assistant Camera Operator

David Richard Campbell

Music Arranger

Kimberly Carbo

Special Thanks To

Marilyn Carbone

Makeup

David Carmel

Assistant

Gayle Carpenter

Special Thanks To

Buddy Carr

Grip

Cynthia Carriere

Production Assistant

Sam Caruso

Special Thanks To

Steve Castellano

Special Thanks To

Greg Cattano

Production Assistant

Frank Centeno

Music

Kayla Chaillot

Craft Service

Agnès Challe-grandits

Assistant Editor

Holly Cherry

Assistant

Gary Chester

Other

Gary Chester

Sound

Rashid Chinchanwala

Other

Lisa Zeno Churgin

Editor

Anthony Ciccolini

Dialogue Editor

Mino Cinelu

Other

Malcolm Clay

Other

Sam Cohn

Special Thanks To

Greg Collins

Driver

Adrian Colon

Set Production Assistant

Ry Cooder

Music

Ry Cooder

Special Thanks To

Cindy Cook

Special Thanks To

Vicki Cosentino

Extras Agent/Coordinator

Pierce Cravens

Other

Maureen Crowe

Special Thanks To

Michael Curry

Foreman

Julie Daggett

Editorial Production Assistant

David Daugherty

Special Thanks To

Roger Deakins

Director Of Photography

Roger Deakins

Dp/Cinematographer

Kevin Deas

Music

Rashid Ahmed Din

Special Thanks To

Rick Dior

Rerecording

Scott Dior

Other

Christina Donatelli

Set Production Assistant

Arlene Donovan

Special Thanks To

Kim Marie Druce

Assistant Costume Designer

David Dusing

Other

David Dusing

Music Contractor

Cougar Easley

Electrician

Michele Eaton

Other

Seamus Egan

Other

Deana Elwell

Special Thanks To

Glen Engels

Grip

Kris Enos

Camera Trainee

Donald Everard

Special Thanks To

Jerry Everett

Transportation Coordinator

Jeremy Fader

Office Assistant

Eric Fellner

Executive Producer

Abby Fender

Other

David Filippi

Set Production Assistant

Norwood Fisher

Music

Phillip Fisher

Music

John Fitzpatrick

Driver

Sister Lillian Flavin

Special Thanks To

Richard Ford

Rigging Gaffer

Jeff Foster

Other

Brad Fox

Art Department

Charlie Franklin

Driver

Ralph Fratianni

Grip

Jane Frazer

Production

Bonnie Friedman

Other

Laurie Friedman

Set Decorator

Charley Furey

Other

Peter Gabriel

Special Thanks To

Lisa Gaede

Set Production Assistant

Kyle Gass

Other

Barry Gastealu

Other

Shelley Geiler

Assistant

Rebecca Gibson

Casting Associate

Chris Gilmer

Set Production Assistant

Adam Gilmore

Assistant Camera Operator

Michele Giordano

Production Coordinator

Harvey Goldberg

On-Set Dresser

Elaine Goldsmith-thomas

Special Thanks To

Allison Gordin

Makeup Assistant

Jonathan Graham

Grip

Peter Graves

Special Thanks To

Brad Gremillion

Other

Huey Grey

Driver

Joe Grimaldi

Electrician

Joe Grimm

Other

Juliet Haffner

Music Contractor

Juliet Hafner

Other

Bruce Hamme

Dolly Grip

Dana A Handy

Assistant Location Manager

Randy Hansen

Other

Ken Hardy

Art Director

Andy Harris

Assistant Camera Operator

Samantha Hart

Special Thanks To

Nancy Hartman

Other

Nadine Hasan

Special Thanks To

Gretchen Hatz

Office Assistant

Gerry Hawkins

Main Title Design

Hilary Hawkins

Other

Davis Hawn

Driver

Allison Hebble

Production Assistant

Allison Hebble

Assistant

John Hebert

Other

Barbara Heller

Location Manager

Ken Hertz

Special Thanks To

Alix Hester

Wardrobe Assistant

Dionna Hickman

Other

Eugene J Hines

Other

Aldis Hodge

Other

Edwin Hodge

Other

Sam Hoffman

Assistant Director

Bradford L Hohle

Consultant

Joel Holland

Sound

Rachel Holroyd

Advisor

Hyatt Hood

Special Thanks To

Richard Hoover

Production Designer

Lys Hopper

Location Coordinator

Elston Howard

Assistant Location Manager

Michael Huhn

Special Thanks To

Jimmy Humphreys

Driver

Delroy Hunter

Other

Earl R Hurst

Driver

Dildar Hussain

Other

Ron James

Assistant

Kristen M Johnson

Assistant Editor

Elton Jones

Special Thanks To

Julianne Jordan

Music

Coril Joseph

Props Assistant

Malcolm Joseph

Special Thanks To

Steven Josephs

Caterer

Renee Ehrlich Kalfus

Costume Designer

Richard S Kamin

Other

Henry Kaplan

On-Set Dresser

Brian Kasch

Set Decorator

Dr. Dr Katz

Special Thanks To

Nicole Kazdin

Other

Michael Kelly

Special Thanks To

Nusrat Fateh Ali Khan

Song Performer

Jon Kilik

Producer

Tracy Kilpatrick

Extras Agent/Coordinator

Genevieve King

Other

David Klotz

Music

Jeremy Knaster

Other

Nancy Kriegel

Production Supervisor

Michael Kriston

Hair Stylist

Karen Krueger

Other

Phyllis Jo Kubey

Other

Loney Landry

Driver

Bonney Langfitt

Wardrobe

George Lara

Foley Mixer

Israel Larios

Craft Service

Clare Larson

Assistant Editor

Chris Lechler

Apprentice

Phillis Lehmer

Art Director

Barry Levine

Special Thanks To

Hal Levinsohn

Adr Editor

E J Levron Jr.

On-Set Dresser

Mitch Lillian

Key Grip

Gale Limansky

Soloist

Melissa Logan

Accounting Assistant

Film Details

Also Known As
dernière marche
MPAA Rating
Genre
Drama
Adaptation
Religion
Release Date
1995
Distribution Company
Gramercy Pictures
Location
New York City, New York, USA; New Orleans, Louisiana, USA

Technical Specs

Duration
2h

Award Wins

Best Actress

1995
Susan Sarandon

Award Nominations

Best Actor

1995
Sean Penn

Best Director

1995
Tim Robbins

Best Song

1995

Articles

Dead Man Walking


This film and the non-fiction book, on which it is based, take their title from a phrase historically used in U.S. prisons to announce when a condemned prisoner is being taken to a place of execution. The story follows a Catholic nun, Sister Helen Prejean (Susan Sarandon), a leading advocate for abolishing the death penalty, who corresponds with and then becomes a confidante and spiritual adviser to Matthew Poncelet (Sean Penn), a convicted murderer awaiting execution in a Louisiana prison.

Penn's character is actually an amalgamation of two real-life condemned men, Elmo Patrick Sonnier and Robert Lee Willie, who were both executed within months of each other for separate murders. Prejean began her prison ministry in 1981. Through that activity she began writing to prisoners, eventually meeting Sonnier and Willie and tending to their spiritual needs. Her experiences with them led to her conviction that the death penalty is morally wrong.

After making his directorial feature debut with the political satire Bob Roberts (1992), Tim Robbins took a great leap with this intriguing, complex drama that was highly praised for its quiet courageousness and humanistic message about compassion, redemption, and forgiveness. The film received glowing reviews, not least for the riveting performances of Sarandon and Penn. In particular, Penn's work goes against the grain of sympathy, and critics noted that the actor and director do not take the easy route of trying to make the character likable or relatable while still driving home the courage of Prejean's belief in the value of saving every soul.

Although the men in Prejean's book were electrocuted, she and Robbins agreed the better approach in the movie would be to show Poncelet's death by lethal injection. In an interview, Prejean stated, "We don't want to give people the moral out whereby people could say 'Oh well, we used to do electrocution but that's too barbaric so now we are humane and inject them.'"

This was the second of three films in which Robbins directed his longtime partner Sarandon, from which he separated in 2009. It is, however, her only starring role under his direction, having played smaller parts in the ensembles of Bob Roberts and Cradle Will Rock (1999). Her work as Prejean earned her a fifth Best Actress Academy Award nomination and her first win to date. Penn was also nominated (along with Robbins and Bruce Springsteen for the title song). A few years later, both Penn and Robbins appeared together in Mystic River (2003) and were honored by the Academy for their work.

The film was shot on location almost entirely in Louisiana, including the state penitentiary in Angola. In addition to Sarandon and Robbins' two young sons, the cast included Robbins' father, mother, and sister in small roles. Prejean made a cameo appearance as a woman at an anti-death penalty vigil.

The director's brother, David Robbins, composed the score. The soundtrack also included songs by Johnny Cash, Nusrat Fateh Ali Khan and Eddie Vedder. A soundtrack released in 1996 also included songs inspired by the movie (but not featured in the film) by Patti Smith, Tom Waits, Lyle Lovett, Steve Earle, Mary Chapin Carpenter, Michelle Shocked, and Suzanne Vega.

In 2002, Robbins adapted his screenplay for a stage version. Rather than seek a professional production, he made the play available to schools and colleges with the stipulation that two or more academic departments incorporate death penalty issues in their curricula for at least one semester. Prejean's book also inspired an opera by Jake Heggie with libretto by award-winning playwright Terrence McNally. It premiered at the San Francisco Opera in 2000.

As affecting as the film is, it does not appear to have inspired much change in the practice of capital punishment in the U.S. According to Yvonne Koslovsky-Gola in her book The Death Penalty in American Cinema: Criminality and Retribution in Hollywood Film, public debate on the issue did rise for a time after the film's release but did not immediately bring about significant change beyond encouraging more academic study.

Prejean has continued her work with prison reform. She has been on the board of the National Coalition to Abolish the Death Penalty from 1985-1995, serving as chair from 1993 to 1995. She is also an honorary member of Murder Victim Families for Reconciliation, a member of Amnesty International and is presently the Honorary Chairperson of Moratorium Campaign. Prejean also advocates for and counsels death row inmates and families of murder victims as the founder of Survive.

Director: Tim Robbins
Producers: Tim Bevan, Eric Fellner (executive producers); Jon Kilik, Tim Robbins, Rudd Simmons
Screenplay: Tim Robbins, based on the book by Helen Prejean
Cinematography: Roger Deakins
Editing: Lisa Zeno Churgin, Ray Hubley
Art Direction: Tom Warren
Music: David Robbins
Cast: Susan Sarandon (Sister Helen Prejean), Sean Penn (Matthew Poncelet), Robert Prosky (Hilton Barber), Raymond J. Barry (Earl Delacroix), R. Lee Ermey (Clyde Percy), Celia Weston (Mary Beth Percy), Margo Martindale (Sister Colleen)

By Rob Nixon
Dead Man Walking

Dead Man Walking

This film and the non-fiction book, on which it is based, take their title from a phrase historically used in U.S. prisons to announce when a condemned prisoner is being taken to a place of execution. The story follows a Catholic nun, Sister Helen Prejean (Susan Sarandon), a leading advocate for abolishing the death penalty, who corresponds with and then becomes a confidante and spiritual adviser to Matthew Poncelet (Sean Penn), a convicted murderer awaiting execution in a Louisiana prison. Penn's character is actually an amalgamation of two real-life condemned men, Elmo Patrick Sonnier and Robert Lee Willie, who were both executed within months of each other for separate murders. Prejean began her prison ministry in 1981. Through that activity she began writing to prisoners, eventually meeting Sonnier and Willie and tending to their spiritual needs. Her experiences with them led to her conviction that the death penalty is morally wrong. After making his directorial feature debut with the political satire Bob Roberts (1992), Tim Robbins took a great leap with this intriguing, complex drama that was highly praised for its quiet courageousness and humanistic message about compassion, redemption, and forgiveness. The film received glowing reviews, not least for the riveting performances of Sarandon and Penn. In particular, Penn's work goes against the grain of sympathy, and critics noted that the actor and director do not take the easy route of trying to make the character likable or relatable while still driving home the courage of Prejean's belief in the value of saving every soul. Although the men in Prejean's book were electrocuted, she and Robbins agreed the better approach in the movie would be to show Poncelet's death by lethal injection. In an interview, Prejean stated, "We don't want to give people the moral out whereby people could say 'Oh well, we used to do electrocution but that's too barbaric so now we are humane and inject them.'" This was the second of three films in which Robbins directed his longtime partner Sarandon, from which he separated in 2009. It is, however, her only starring role under his direction, having played smaller parts in the ensembles of Bob Roberts and Cradle Will Rock (1999). Her work as Prejean earned her a fifth Best Actress Academy Award nomination and her first win to date. Penn was also nominated (along with Robbins and Bruce Springsteen for the title song). A few years later, both Penn and Robbins appeared together in Mystic River (2003) and were honored by the Academy for their work. The film was shot on location almost entirely in Louisiana, including the state penitentiary in Angola. In addition to Sarandon and Robbins' two young sons, the cast included Robbins' father, mother, and sister in small roles. Prejean made a cameo appearance as a woman at an anti-death penalty vigil. The director's brother, David Robbins, composed the score. The soundtrack also included songs by Johnny Cash, Nusrat Fateh Ali Khan and Eddie Vedder. A soundtrack released in 1996 also included songs inspired by the movie (but not featured in the film) by Patti Smith, Tom Waits, Lyle Lovett, Steve Earle, Mary Chapin Carpenter, Michelle Shocked, and Suzanne Vega. In 2002, Robbins adapted his screenplay for a stage version. Rather than seek a professional production, he made the play available to schools and colleges with the stipulation that two or more academic departments incorporate death penalty issues in their curricula for at least one semester. Prejean's book also inspired an opera by Jake Heggie with libretto by award-winning playwright Terrence McNally. It premiered at the San Francisco Opera in 2000. As affecting as the film is, it does not appear to have inspired much change in the practice of capital punishment in the U.S. According to Yvonne Koslovsky-Gola in her book The Death Penalty in American Cinema: Criminality and Retribution in Hollywood Film, public debate on the issue did rise for a time after the film's release but did not immediately bring about significant change beyond encouraging more academic study. Prejean has continued her work with prison reform. She has been on the board of the National Coalition to Abolish the Death Penalty from 1985-1995, serving as chair from 1993 to 1995. She is also an honorary member of Murder Victim Families for Reconciliation, a member of Amnesty International and is presently the Honorary Chairperson of Moratorium Campaign. Prejean also advocates for and counsels death row inmates and families of murder victims as the founder of Survive. Director: Tim Robbins Producers: Tim Bevan, Eric Fellner (executive producers); Jon Kilik, Tim Robbins, Rudd Simmons Screenplay: Tim Robbins, based on the book by Helen Prejean Cinematography: Roger Deakins Editing: Lisa Zeno Churgin, Ray Hubley Art Direction: Tom Warren Music: David Robbins Cast: Susan Sarandon (Sister Helen Prejean), Sean Penn (Matthew Poncelet), Robert Prosky (Hilton Barber), Raymond J. Barry (Earl Delacroix), R. Lee Ermey (Clyde Percy), Celia Weston (Mary Beth Percy), Margo Martindale (Sister Colleen) By Rob Nixon

Quotes

Trivia

Miscellaneous Notes

Winner of the Silver Bear Award for Best Actor (Sean Penn) at the 1995 Berlin International Film Festival.

Tim Robbins and John Kilik were nominated for the 1995 Golden Laurel Award by the Producers Guild of America.

Released in United States Winter December 29, 1995

Expanded Release in United States January 5, 1996

Expanded Release in United States January 12, 1996

Expanded Release in United States January 19, 1996

Wide Release in United States January 26, 1996

Expanded Release in United States February 2, 1996

Expanded Release in United States February 9, 1996

Released in United States on Video June 25, 1996

Released in United States February 1996

Shown at Berlin International Film Festival (in competition) February 15-26, 1996.

Second film for actor-director Tim Robbins, who marked his feature directorial debut with "Bob Roberts" (USA/1992).

Completed shooting June 30, 1995.

Began shooting April 24, 1995.

Released in United States Winter December 29, 1995

Expanded Release in United States January 5, 1996

Expanded Release in United States January 12, 1996

Expanded Release in United States January 19, 1996

Wide Release in United States January 26, 1996

Expanded Release in United States February 2, 1996

Expanded Release in United States February 9, 1996

Released in United States on Video June 25, 1996

Released in United States February 1996 (Shown at Berlin International Film Festival (in competition) February 15-26, 1996.)