Johns Hopkins University Press
  • Henry Moore’s Wartime Drawings (1939–1942) and the Influence of Gustave Doré’s Illustrations for Dante’s Divine Comedy
  • Rebecca Jelbert
Figure 3. Engraving for Inferno 32, by Gustave Doré. In Dante Alighieri and Henry F. Cary, trans., The Vision of Hell (London: Cassell and Company, 1903), plate 67. Photographed by Adam Walker.
Figure 3.

Engraving for Inferno 32, by Gustave Doré. In Dante Alighieri and Henry F. Cary, trans., The Vision of Hell (London: Cassell and Company, 1903), plate 67. Photographed by Adam Walker.

Copyright © 2022 Dante Society of America
Return to text

Share